R.W. Marnau's vision is mesmerizing from start to finish. Much like Nosferatu, years, possibly decades ahead of its time. While it didn't captivate me in the same way that Nosferatu did, I can't dismiss its brilliance. With all that has happened in the near almost 90 years since its release, it's better off if one ignores any historical background on anyone involved and enjoy it for the artistry. To deny, those with black hearts aren't capable of beauty, would be naive. Faust is the timeless tale of man's struggle between good and evil and what we would trade in return for an improved state. Whether that be for ourselves or for others. The religious symbolism here isn't cleverly hidden, like many of today's films, but laid out for us to see and then critique. As we find with any struggle, it's our strongest emotions that guide us. Even if they appear selfish, they prove to be just, as the movie depicts. Like all of Marnau's films, the use of ...