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Quickie Review - Faust (1926)

R.W. Marnau's vision is mesmerizing from start to finish. Much like Nosferatu, years, possibly decades ahead of its time. While it didn't captivate me in the same way that Nosferatu did, I can't dismiss its brilliance. With all that has happened in the near almost 90 years since its release, it's better off if one ignores any historical background on anyone involved and enjoy it for the artistry. To deny, those with black hearts aren't capable of beauty, would be naive.

Faust is the timeless tale of man's struggle between good and evil and what we would trade in return for an improved state. Whether that be for ourselves or for others. The religious symbolism here isn't cleverly hidden, like many of today's films, but laid out for us to see and then critique. As we find with any struggle, it's our strongest emotions that guide us. Even if they appear selfish, they prove to be just, as the movie depicts.

Like all of Marnau's films, the use of light, music and slight comedy, to ease the tension is at a level unseen in today's world of CGI and filters. Marnau uses camera tricks that to some may seem amateurish, but if one realizes the skill needed to pull these techniques off, the respect is undeniable. His casting of an unknown in one of the major roles, played wonderfully, as her purity and innocent beauty shined through. Historical info of the lead and of the demon Mephisto adds to the story, but is unnecessary. I must add for anyone who doesn't normally watch silent pictures, ignore the words and admire what is being done with the camera. It's magical.

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