Oculus is the newest entry into a long line of horror movies that feature nearly all the exciting parts within the trailer. There is nothing new here and sadly, it's been done so much better and actually with the same symbolic "bad guy." The one thing Oculus has that some of the lame horror geeks out there will go gaga over, is production value. It's a clean film, which in my personal opinion, hurts it. I prefer grittiness in my horror, but that's a personal craving.
Oculus has a very nice looking and serviceable cast. The acting isn't the problem, it's the painful predictability. I'll just say this. The apple scene I saw coming a mile away and even the buildup was horrendous. The film is low on gore, violence and any real scares. There is also no clear reason for anything that happens, meaning the writer and director went into this with clear intentions of having a sequel, a la Insidious.
The shining star is Annalise Basso, who plays the younger version of the lead character Kaylie and does so in convincing fashion. Sadly, she can't make up for an awful ending, once again, seen coming a mile a way and a bit of an easy way out ending. This film is everything a film student would do, forgetting the importance of sound, editing and especially lighting. This just came out and already it screams for a reboot. If this was done like many Korean films are done, you'd probably have to adjust the brightness on the screen, but then think better of it, knowing you probably didn't want to know what lurked in the shadows.
Oculus has a very nice looking and serviceable cast. The acting isn't the problem, it's the painful predictability. I'll just say this. The apple scene I saw coming a mile away and even the buildup was horrendous. The film is low on gore, violence and any real scares. There is also no clear reason for anything that happens, meaning the writer and director went into this with clear intentions of having a sequel, a la Insidious.
The shining star is Annalise Basso, who plays the younger version of the lead character Kaylie and does so in convincing fashion. Sadly, she can't make up for an awful ending, once again, seen coming a mile a way and a bit of an easy way out ending. This film is everything a film student would do, forgetting the importance of sound, editing and especially lighting. This just came out and already it screams for a reboot. If this was done like many Korean films are done, you'd probably have to adjust the brightness on the screen, but then think better of it, knowing you probably didn't want to know what lurked in the shadows.
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